The format I use for writing most of the music I teach is a variation on what are commonly called “chord charts”: Lyrics with the chord names written above them at the approximate point the chord changes.
This works fine for rhythmically simple songs. But when chords change at unpredictable times, I include some more information.
Number of Measures in Parentheses
In the following example, from Norah Jones’ “Be Here to Love Me”, the “(2)” means “play A for two measures”. If there’s no number in parentheses next to a chord, just play it for one measure.
E_________________ D _______________A (2)
Your eyes seek conclusion in all this confusion of mine
E_________________ D_________________A (2)
Though you and I both know it’s only the warm glow of wine
Dash Away! Dash Away!
During instrumental parts of a song, I’ll often “dash it out”. This example is the intro to Green Day’s “Boulevard of Broken Dreams”:
/ Em - - - / G - - - / D - - - / A - - - / x2
Each slash mark “/” marks the beginning of a new measure of music. A chord name represents the first beat of that chord, and dash marks “-” represent more beats of the same chord. So in the example, you play each of the chords for four beats. The “x2″ means you play the whole progression twice.
Here’s a slightly more complicated example, from the chorus of The Long Winters’ “Shapes”:
/ G - - - / - - A - / G - - - / - - - - /
Here the G chord is played for six beats (four in the first measure, and two in the second), the A chord for two beats (the last two beats in the second measure), and the G chord for eight beats.
Strum Patterns
I usually pencil strum patterns at the the top of my students’ music when I’m teaching them a song. But lately I’ve been typing them so that all the rest of you can learn the strums too. Strum patterns look something like this:
D D U U D U
1 + 2 + 3 + 4 +
The lower line shows the beats of a measure. The upper line shows when to strum: “D” means strum down, “U” means strum up, and “B” means hit the bass note in the chord (the lowest-pitched root note). Remember to keep that right arm moving in a consistent up-down motion. Sometimes you’re strumming the strings, sometimes your pick is passing over them, but the arm keeps moving.
By the way, that example is what I call the “Folk Strum”. It’s used in tons of songs (not just folk songs), so if you just see “Folk Strum” at the top of a sheet of music, now you know what to play.
You also might encounter an “X”, “M”, or “d” above the beats. “X” signifies the dreaded “scratch” strum, which is hard to teach in person and harder to describe in writing. Basically, the karate-chop part of your hand lands solidly on the strings as your pick simultaneously rakes the strings, creating a percussive “whack!” It helps if you make an OK sign with your strumming hand. An “M” just means mute–let your hand come down onto the strings instead of strumming them. A mute can be used instead of a “scratch” strum if necessary. And “d” means an unaccented (quiet) down-strum.
Chord Guides
Many of the songs I’ve posted on my website use what I call Nanocharts (nano = small). They’re the quickest, most compact chord chart known to humanity…and I invented them. The royalties should be rolling in any day now.
Here’s what a Nanochart looks like for the A chord:
123
A: x02220
The bottom line shows you where you fret each string, 6th string through 1st when reading left to right. So in the example above, the “x” means to mute or avoid the 6th string. “0″ means open, and those three “2’s” mean to fret the fourth, third, and second strings on the 2nd fret.
The top line tells you which fingers to use–the finger number (1st is index, 2nd is middle, T is thumb, etc.) is written above the string it frets.
When chords are up on the tenth fret and above, I type every other fret number in bold for easier reading. I know, it’s ugly….
T 321
C: 8×1098x
Tablature
Here’s a good article on how to read tablature, the system of writing guitar music using six lines to represent the six strings, and numbers written on the lines to show you where to fret:
